Teaching and Learning Practice:Race

How could you apply the resources to your own teaching practice?

I would apply the resources to my own teaching practice as part of a workshop, and using Shade of Noir diverse resources as starting point http://shadesofnoir.org.uk/ to discover Race culture and identity from articles and video etc. For instance Shade of Noir has created the ideal environment that is safe and supportive space for both students and teachers to connect with like-minded people to discuss and reflect on individual issues in the relation academic and creative practice. Also Shade of Noir created Teaching within to address the shortage of teachers of colour in all Universities. I would mix students from different racial background in groups of 5, creating an atmosphere where students are relaxed and able express themselves and share their own diverse experiences, finding out about each other identity and cultures. Each group would create a diversity moodboards to represent their races, identity and cultures. Then class discussion and feedback around each group work.

 

How could you integrate the research/work your students do on this subject into your teaching/professional practice?

Shade of Noir website as has a wealth of diverse context, from education, social issues, arts and media to help the student explore race and ethnicity within their group. They can work together in small groups to create a piece of art work, that represent diversity, race, identity and cultures.

Can you cite example? You will share your thoughts within your groups and comment and share further resources you use in your own contest.

http://shadesofnoir.org.uk/

http://shadesofnoir.org.uk/why-does-race-matter-in-the-learning-environment-dmaw16/

https://papers.ssrn.com/sol3/papers.cfm?abstract_id=2150999

http://journals.sagepub.com/doi/full/10.1177/1077800414557827

http://certainlycert.myblog.arts.ac.uk/files/2017/04/A_Pedagogy_of_Social_Justice_Education_S.pdf

 

Discuss two things you learnt from the text.  And one question/provocation you have about the text.

Two things I learned from the text: I found that A Pedagogy of Social Justice Education: Social Identity Theory, Intersectionality, and Empowerment by Aaron J. Hahn Tapper.  After reading Hahn Tapper article, it was interesting he highlighted the conflict between the Jews And the Palestinian, I felt that it was more about religion, politics and money rather than race. A conflict of war between the Jewish and Palestinian, whereby, the Jews are the oppressor and the Palestinian are the oppressed. I can see the difference and inequalities and social justice because the Palestines land was taken from them and they have to live a life without freedom and inequality. And the different group need to work together to address this imbalanced. However, I can say that I haven’t learnt anything that I don’t already know. I’ll still keep an open mind on the situation. I have read Professor Kimberle Crenshaw articles, she is known for devising the term ‘Intersectionality’ whiles giving a talk on the lack of representation of black women in white feminism, she highlighted the struggles and conflict black women were facing with race, sexuality, gender, and class. For instance in doing so she gave a voice to feminist of colour. In addition, to the case study programs (page426), Shade of Noir Teaching Within programme I know about, and its already in place and is very successful. Shade of Noir has worked very hard to transform and implementing changes by addressing the imbalance of teachers and student of colour in dominantly white universities.

Freire explains the role that identity plays in the shaping and implementation of education. One of his most important arguments is that students’ identities need to be taken into account in all educational settings. They should not be approached as if everyone in the classroom, including the teacher, is starting from the same place in terms of social status and identity. Although virtually no one discounts the central role that teachers play in a given classroom, Freire extends this point, expounding on how a teacher’s social identities play as much of a role in a classroom environment as anything else. He says that an ideal educational experience exists between a teacher and students rather than emanating from a teacher to students. A teacher needs to create experiences with, and not for, students, integrating their experiences and voices into the educational experience itself (Freire 2006).  I can draw Freire’s ideas to help broaden my understanding about my own teaching and learning practices.

In relation to ‘Intersectionaliity’, I read a really interesting article on the subject by David Gillborn. Intersectionality, Critical Race Theory, and the Primacy of Racism Race, Class, Gender and Disability in Education. I have taken a short clip to share. ‘We live at a time when racist inequities continue to scar the economy, education, health, and criminal justice systems (Equality & Human Rights Commission [EHRC], 2010) but when merely naming racism as an issue is sufficient to generate accusations of “playing the race card”—the supposed “special pleading” that Derrick Bell’s “rules of racial standing” analyze so brilliantly (Bell, 1992, p. 111)—or, worse still, we are judged to be acting in ways that are racist against White people. At this time, it is more important than ever that we take our cue from Derrick Bell and have the courage to say the unsay-able and follow through in our actions. We can use intersectionality, but we must not be silenced by it. Bell’s legacy demands nothing less.’

The silence Room:

The room of silence is a very  personal and emotional space that many students of colour recognition and experience I can relate  to them. As black female  artist I have been through the similar experience, isolated in a ‘crit’ been the only black person in the room. Also similar to the students in the video  I witness a female BAME student from RCA, who was marginalised and isolated by her tutors and fellow student, she was made to feel like she was been bullied as well invisible with their silence about her work, and she was worried that this type of treatment might affect her grades, this was highlighted  in a heartfelt emotional speech  at the Shade of Noir Decolonising The Institution. 

The Latino student mentions in the video that  she counts the number of students of colour in her class was three in dominantly white space. So many students of colour have experienced this in many Universities around the world, counting the faces of  students and teachers of colour who they can relate to in a hostile racicalized environment.  However,  according to Booth and Ainscow, 2000.  “Inclusion in education is concerned with breaking down barriers to learning and increasing participation for all students, treating all learners on the basis of equality and non-discrimination.”  As Teachers we have the opportunity to make adjustment to accommodate all student needs, ensuring that all have an fair and equal opportunity to succeed.

I haver found  that after reading Inside The Ivory Tower that Institutions are still failing and they are moving very slow to address issue and this why interventions is an important aspect the inequalities and the marginalisation of people of colour. Because Academics and students are subject to race and gender discrimination and victimisation. This quote by Deborah Gabriel sum up the journey of people of colour the lack of diversity in Universities. “We choose to assimilate into an organisational structure and institutional space that was never created for us, and adopt the dominant social norms with the hope that our compliance will be rewarded – or we can choose in a myriad of ways, to resist. we choose to resist” (Deborah Gabriel, 2017).

 

Decolonising the Institution #2 | Shades of Noir

RCA Students’ Union invited Aisha Richards and the team at Shades of Noir into the RCA On April 11th 2018,  on DECOLONISING THE INSTITUTION. Shades of Noir champion social justice pedagogy and develops practices which centres the voices of the marginalised in the arts, culture and Higher Education … Continue reading Decolonising the Institution #2 | Shades of Noir

 

Zine launch: Decolonising the Arts Curriculum

Image: Decolonising the Arts Curriculum zine and call for further contributions

 

On Thurs 14 June staff from UAL and Arts SU, and UAL students, came together to celebrate the official launch of a new zine, ‘Decolonising the Arts Curriculum: Perspectives on Higher Education.’

Lucy Panesar, Educational Developer (Diversity & Inclusion), Teaching & Learning Exchange 

Over the last six months the Teaching and Learning Exchange has been working with the Arts Students Union to co-create a zine for staff and students to share thoughts, views and experiences of decolonising the arts curriculum in higher education.

Hansika Jethnani (Arts SU Education Officer 2016-2018), Rahul Patel (Researcher, Curator and Lecturer) and I came together because of our shared determination for race equality and our understanding that decolonisation plays a critical role in this. We identified the need for a platform to discuss decolonisation specifically in relation to the arts curriculum. It was essential that such a platform would be supported by the institution and would allow for diverse perspectives, on this complex and contested topic, from both students and staff at UAL. The decision was made to co-produce a zine, as a way of breaking down some of the barriers to expression that traditional academic publishing can create.

A call for submissions was made in March, and a wealth of responses were received on the why, what and how of decolonisation in relation to arts education in general and specific creative practices.  All submissions have been included, and offer personal, professional, creative and critical insights through a range of literary and visual media.

The launch event was held at UAL Central Saint Martins with a display of some of the zine contents.  Hansika and I opened the event with some background to the zine’s production, and then Rahul invited contributors up to the stage to speak.

Image: Contributor Abbas Zahedi (and child) talking about the project behind his front cover image.

It was at this moment that we recognised what it was we have created, when hearing the contributors explain how important it has been for them to have space to share their experiences in relation to decolonisation, and inevitably colonisation. Contributors spoke of their own ethnic and national identities in relation to Britain’s colonial past and ‘multi-cultural’ present. They spoke of the current political situation affecting those of the Windrush generation, of islamophobia, and other forms of prejudice and discrimination based on race and nationality which affect both students and staff.

We hope that the zine will be supportive in this respect, whilst also contributing to wider discourses around decolonisation, and helping to inform developments in arts education, for the benefit of all of our community. And we hope for the discussion to continue through further events and the online platform, which has been set up for further perspectives to be shared.

The zine launch display at is open and accessible to the general public in the reception area at UAL Central Saint Martins (King’s Cross) until 9 July.

UAL staff can access the zine online here online here: http://decolonisingtheartscurriculum.myblog.arts.ac.uk/ 

If you are external to UAL the zine can also be accessed online here.

Image: Zine launch display at UAL Central Saint Martins reception, until 9 July

 The above image and article is my contribution to the Zine Magazine.

 

This entry was posted in Inclusivity, News on June 20, 2018 by .

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 Someone sent me the link below regarding this story, it shocking that in 2018, student are still receiving racial abuse on a University campus. Thats their home they are suppose to be safe inside with no worries of been attack or hearing racial abuse hurled at them through their windows. the Universities are suppose to be a safe haven for students no matter what there race or creed.
https://news.sky.com/story/nottingham-trent-student-racially-abused-in-we-hate-the-blacks-video-11280710

Teaching and Learning Practice: Faith

Teaching and Learning Practice: Faith

How could you apply the resources to your own teaching practice?

I would apply the resources to my own teaching practice as part of a assignment to explore faith identity. http://religiousliteracy.myblog.arts.ac.uk/ UAL has created a safe space to discuss issues in the relation academic and creative practice. After looking at Angela Drisdale Gordon pen portraits, which is icebreaker activity. I would also use this icebreaker activity to help create an environment where students are comfortable to share experiences, and beliefs without been pressured. As  Kwame Anthony Appiah highlights that it is important to allow students to display the meaning of ‘their’ faith and avoid societies preconceptions.  Also I would direct the students to the chaplaincy within UAL when dealing with issues associated with there pastoral needs.  As   Appiah claims that in thinking about religion, we have focused too much on what religious people believe and not enough on what religious people do.

Appiah, argues that there are three dimensions to religion. Yes, one of those dimensions is a body of belief. However, Appiah argues “we over-emphasise the importance of belief at the expense of two other dimensions: the rituals and social norms that people carry out as part of religious practice, and the communities within which religious practice takes place”. (Taken from Journalist, Sonia Sodha article from the Reith Lectures).

How could you integrate the research/work your students do on this subject into your teaching/professional practice?

I would  use  Angela Drisdale Gordon icebreaker activity to help student to research in groups, so that they can work together in their groups to create a piece of art work, that represent the diversity of their faith and spirituality.

Can you cite example? You will share yours thoughts within your groups and comment and share further resources you use in your own contest.

ace, Religion and Free Speech (Shades of Noir, 2016)

Pen Portraits (LCF), Angela Drisdale Gordon

The groundbreaking artists challenging religion through art (Dazed, 2016)

http://moodle.arts.ac.uk/pluginfile.php/695738/mod_resource/content/1/lfhe_stimulus_paper_-_modood_calhoun_32pp.pdf

http://www.bbc.com/culture/story/20140602-does-modern-art-hate-religion

 http://www.bbc.co.uk/programmes/articles/xSH963FMvDgFmGPRm86Lqk/is-the-essence-of-religion-a-belief-in-god-or-something-more

 

Discuss two things you learnt from the text.  And one question/provocation you have about the text.

Two things I learned from the text: Religion in Britain: Challenges for Higher 
Education.’ Stimulus paper (Modood & Calhoun, 2015)

This is the first time that I have read religious literacy, and I found Stimulus paper by Tariq Modood and Craig Calhoun very interesting.

Tairiq Madood essay was very much enlightening by a way of its historical content, he highlighted that Britain is seeing flourishing of religion based identities.  Whilst I might not agree with his some of views, I’m open minded and respect others and their religious beliefs.

  1. Britain is seeing a flourishing of religious or ethno-religious or religion-based identities; these are most prominent among post-immigration minorities. Identity assertions usually cause identity reactions, and this is partly happening in relation to some white non-believers beginning to describe themselves as (culturally) Christian (though not as much as in Germany)and perhaps even more asserting a reactive secularist identity (though not on the extreme scale of France).
  2. The second point is that most religions require the observance of rules of piety, and Britain is experiencing such practice-based religions re-entering the public space after quite a long period in which such religion has been eroded away or transformed into private belief. Both these trends give the impression of continuing and each has implications for the public sphere.

 

Inclusive Teaching and Learning ‘Gender’

How could you apply the resources to your own teaching practice?

I would apply the resources to my own teaching practice in the perspective of equal opportunity. http://supportingtransstudents.myblog.arts.ac.uk/ UAL has made available a wide range equality issues in the context of gender equality. However, I would continue on this subject by looking at it, in a wider collective meaning.  Higher education has a key role to play in deconstructing the issues connected to contemporary social movements on emergent formations of power. This includes challenging the anti-education, anti-expertise and anti-intellectual strands of post-truth populism, as well as paying attention to the ways that gendered inequalities are potentially reproduced through pedagogical spaces and formations of difference (Burke, Crozier, and Misiaszek 2017Burke, P. J.G. Crozier, and L.Misiaszek2017Changing Pedagogical Spaces in Higher Education. Diversity, Inequalities and MisrecognitionLondonRoutledge. [Google Scholar]).

 

How could you integrate the research/work your students do on this subject into your teaching/professional practice?

Using my above response, I would focus on the topic of Gender Equality and Diversity to look at the subjects in terms of books, journal articles and online resources, exhibitions that are related to the subject. I would encourage the student to work in pairs and create a mind map,  the word ‘gender’ would be there starting point to produce ideas and words that relate to and around gender to be used for research, writing and class discussions.

Here is an interesting  paragraph taken from Monica Mookherjee book, from the introduction. How can one negotiate and integrate the claims of feminism and multiculturalism through a discourse of rights? This is a timely question: the apparent opposition between feminist and multicultural justice is a central problem in contemporary political theory. It also responds to a deep suspicion about invoking a political discourse that is accused of being either eurocentric, androcentric or both. In this book Monica Mookherjee draws on Iris Young’s idea of ‘gender as seriality’ in order to reconfigure feminism in a way that responds to cultural diversity. She contends that a discourse of rights can be formulated and that this task is crucial to negotiating a balance between women’s interests and multicultural claims. The argument is worked through in the context of a set of difficult dilemmas in modern liberal democracies: *the resurgence of the feminist controversy over the Hindu practice of widow-immolation (sati) *gender-discriminatory Muslim divorce laws in the famous Shah Bano controversy in India *forced marriage in South Asian communities in the UK.

Examples cited:

Women’s rights as multicultural claims : reconfiguring gender and diversity in political philosophy / Monica Mookherjee. Publisher: Edinburgh : Edinburgh University Press, 2011.

Gluck Art and Identity/ Edited by Amy de la Haye and Martin Pel. Publisher: Yale University Press 

Diversity in Disney films [electronic resource]: critical essays on race, ethnicity, gender, sexuality and disability / edited by Johnson Cheu.

https://libsearch.arts.ac.uk/cgi-bin/koha/opac-detail.pl?biblionumber=267992&query_desc=keyword(s)%3A%20Gender%20diversity

Diversity in gender and visual representation: a commentary

Adrienne Evans

Pages 473-479

https://www.tandfonline.com/doi/full/10.1080/13562517.2018.1467160

https://www.theguardian.com/news/2018/jun/22/the-age-of-patriarchy-how-an-unfashionable-idea-became-a-rallying-cry-for-feminism-today (Charlotte Higgins).

Discuss two things you learnt from the text.  And one question/provocation you have about the text.

   Two things I learned from the text:

  1.  Patriarchy is deep-rooted which we are subjected to from childhood.
  2. Patriarchy teaches certain views on how we are suppose to behave. For instance, Bell Hooks own life example, how her father beat her with a stick for being more dominant than her brother, alsoTerrence Real’s son interest in girls clothing, and his friends expressing to him that boys were not expected to behave in that way.  

this was taken from an interesting article by Charlotte Higgins. The concept of “patriarchy” has offered itself as the invisible mechanism that connects a host of seemingly isolated and disparate events, intertwining the experience of women of vastly different backgrounds, race and culture, and ranging in force from the trivial and personal to the serious and geopolitical. For it allows us to ask, according to the philosopher Amia Srinivasan, “whether there is something in common between the Weinstein affair, the election of Trump, the plight of women garment workers in Asia and women farm workers in North America, and the Indian rape epidemic. It allows people to ask whether some machine is at work that connects all the experiences they’re having with all the experiences others are having.” The return of “patriarchy” raises the question: does the naming and understanding of this invisible mechanism offer the key to its destruction?

Watch the film: Pay it No Mind- The life and times of Marsha P.Johnson:

Discuss any reflections you have on the film.

I have never heard of Marsha P Johnson until I watched the video. This was a fascinating documentary, Johnson was an extraordinary strong black American transgender, LGBTQ rights activist who was murdered on July 6th 1992 at the age of 46. She was at the centre of racial justice and gay liberation. She was part of the Stonewall riots. created S.T.A.R (Street Transvestite Action Revolutionariers), and modelled for Andy Warhol and also a drag artist and prostitute. It was very sad that Johnson was harassed by trans-phobic hatred from people while walking down the streets, and discriminated by those in authority including police brutality. It was a bit sad to watch and seeing that Johnson was treated extremely cruel for been herself and yet she wouldn’t harm anyone.  “Marsha P. Johnson could be perceived as the most marginalized of people — black, queer, gender-nonconforming, poor. You might expect a person in such a position to be fragile, brutalized, beaten down. Instead, Marsha had this joie de vivre, a capacity to find joy in a world of suffering. She channeled it into political action, and did it with a kind of fierceness, grace and whimsy, with a loopy, absurdist reaction to it all.” Susan Stryker, an associate professor of gender and women’s studies at the University of Arizona. Similar to Marsha P. Johnson most transgenders are subjected to cruel hate violence and are victims of severe discrimination in there everyday lives.

 

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